Video Series Set
PA Counseling Services
This studio set was designed with two distinct factors in mind: First, the client’s desire to recreate the realistic interior of a tudor castle, and second, the need to package and ship the entire castle environment to multiple studio locations. This set was expanded three times over the course of three years; to view pictures of its earlier occurrences, please visit the archive page. Also, check out these video links:
With Eaglestone Mountain Productions
Portraits of White Concert
(Rose Lehrman Arts Center)
When singer/songwriter Frances Drost first approached us about creating a background for her winter concert, the commanding image was ice. With a very limited load-in time, however (2 hours), we knew we would have to adhere to the old adage, “keep it simple, stupid.” We did. Using little more than wax paper and projection goo, we manufactured 1000 “ice tiles” which were hung upstage of Frances' live orchestra. Many thanks to Laurie Friedlander of the Rose Lehrman Arts Center who lit our ice tiles to reflect the many moods of Frances music.
Taming of the Shrew
Messiah College School of the Arts
Strongly influenced by Pop Art, this production of Shakespeare’s controversial comedy emphasized the interplay between the Bard’s characters over and above his literary structure and social inferences. As a result, the set’s architectural elements were neutralized with a harsh wash of white, creating a clean canvas upon which to “paint” shockingly colorful scenes and characters.
Produced by Messiah College Department of Theatre and Dance
Lighting Design by Tymberely Whitesel
Messiah College Dept. of Theatre and Dance
In keeping with the tired and neglected circus style of this production, the prominent design elements and carnival motifs seen here were created with a patchwork style and then distressed with a series of glazes. The design concept itself was born from a phrase in the original Job account--the Lord giveth and the Lord taketh away--which inspired an intricate rigging system in the loft of the black box. This system was operated by a company of roustabouts who hoisted the scenery, props and even costumes in and out of the playing area.
Directed by Valerie Flower
This production won an award for Extraordinary Achievement (design), Kennedy Center ACTF